Saturday, February 16, 2013

Algonquin Night, Part One


tis the early evening hour the lobby of the algonquin is all abuzz and festive heavily adorned in dark christmas velvets poinsettas and a frosted green tree that greets the guest arriving from the still unusually autumnal conditions of the season outside that winks at him suggestively tugs a little at his jacket just a little of the cloth caught gently between thumb and forefinger

that pulls on his scarf as if  to invite to participate in the forbidden dance

that tickles his nostrils with wisps of expiring evergreen ever so slightly stirred not shaken with the edgingly crisp whirls of outside that snuck in behind him teasing him with faint promises that perhaps the weather will turn by the time the baby jesus

that bastard offspring of that whoring jewish mother who was only to grow up and inspire multitudes to kill in

His

name

is dropped down the chimney to wish merry christmas to all and to all a good night

this tree who grasps at her throat as she slowly dies of thirst sitting tall and wide in the midst of the lobby adorned glittering with fringe silver and red like an enslaved ukrainian transvestite transsexual whore in a nashville cathouse a shemale lovely no crying game here she with her colorful glassy balls large bovine balls sparkling twinkling winking at all the others mostly tourists turtle necked tourists tucked into uggs and fleece flashing holiday gold from ear and throat and wrist occasionally a nose if younger but rarely a lip these touristas they’re up visiting maybe from carolina maybe from maybe east tennessee difficult to tell the upper class southerner these days they do tend to fall back on that commonly practiced and cable televised genteel yet a little over the top pretend version of  snuffy smith’s squidbilly english

the margins honed to a soft and rounded edge
weathered appalachian stones atop the mountain

oh bless their little hearts

they now all sound alike

a chorus of cane syrup flowing down the naked rivulets of good living

they’re all burdened with bags from bergdorf’s and barney’s and saks and some of those cute little shops down off canal and this guy

our guy

eddie

he watches as they struggle to snuggle into the elevator that was constructed installed first turned on back when jesus was in junior high chatting with the rabbis and questioning their path wiggle into the elevator that was designed for four sans luggage they giggle loving to complain about the shortcomings of this yankee excuse of a metropolis oh the crowds the expense the small rooms that won’t allow george to even get around the bed to the bathroom without moving the suitcase lift it up onto the desk which is already cluttered with wires and adapters and iphones and ipads and kindles the wrappers from truffles and assorted other chocolates mined from filene’s basement of christmas past

and our guy

eddie

he slows his pace and looks around bathes in the history of miz parkers charnel house where correspondents committed crimes of creativity over and over and over

aided and abetted by alexanders and whiskey sours games of words cards and wasted hours

til they themselves bored and their efforts stillborn became the characters in their own works

trapped

here in all its glory

eddie he enjoins himself to their lingering spirits both ethereal and liquid that haunt this den of literary yesteryear these ghosts who sit at the knightly writers roundtable revel and rejoice redux with those with others who prefer to

scribble and scrawl
dribble and drawl
riddle and brawl

leaving behind faint totoros of dust and old age swirling whirling about around tickling the olfactory heckling the matter of fact’ries

his drink eddie’s drink it waits for him back in the lounge

and he crosses the lobby all frogger between table and chairs tourists in pairs

crosses from restroom to barroom where his drink awaits him on the now blue sparkly tres hip buffet du hooch not quite the maple bar of days past but tis a port in this storm of xmas-tide

his drink waits before his beloved barstool upon which ascends climbs high into the saddle again giddyup hi-ho as he studies his surroundings

the scenery it has changed les patrons they shuffled like a game of fifty-two card pickup since he

our guy

eddie

who maybe only five ten minutes before faced his adversary the forgetful bartender hotel employee lazily living on union wages and an ignorance of the savoy bar book

people and parties they come they go the churn is like the tides coming and going ebbing and flooding moving along at an ever accelerating rate moving

always moving

like love

sweet delicious love

who is now sitting on his left

a woman oh yes a woman

a woman who looks like she would pour from her dress like sugar from a silk purse

flowing all sparkly and sweet

she is so obviously by herself elbows propped up on the bar both hands in front of her

the long bejeweled forefinger of her right hand slides up and down and across a brightly lit phone icons moving screens flashing changing in some sort of personal pachinko madness

the same finger of the left hand another long and lovely digitus extendus naked of glitz but painted purple on the nail purple and encapsulating a dot of pink

the eye of fatima

circles her glass perched on a stem tres chic crystal opening up into an art deco perfect butterfly a vampish vargas girl half full could be a martini the double olive on a spear

plastic and pink

to match the eye

possibly gives it away

and eddie

he simply amazes himself sometimes this grasp of the obvious

her long brown hair hangs over her face a veil of mystery her long legs crossed double crossed with the tip of her shoe hooked back around behind her runner’s her gymnast calf her equally long stockings tight and terrifically sheer very business-like

and eddie

he thinks perhaps he even says it out loud the murmur of the room elevated enough to douse random verbal insights he says hey maybe he even might ever so slightly sing it in that gang of four sort of way he says

goddamn i love a woman in a uniform

her dark suit white shirt good golly by god by gum bye-bye she glances over his way eddie’s way as he settles in as he accidentally nearly almost invades her space with an awkward mount a foot slipping eddie forgetting the stool was of the lean and prop style without its own footrest he eddie he catches himself in time with such panache as he can muster still managing to

wink

and she smiles a simple smile lips only simply parted eddie he swoons she giggles eddie he pays attention acts reacts acts reacts jesus jiminy cricket christ it’s like some hot action happening on a telegraph wire two people doing the dot-dot-dash-dash back and forth back and forth

eddie he’d like to do the back and forth right now

right here would be fine maybe this is getting right down to his gestalt right here maybe his mother was bedridden when she was pregnant with him he didn’t get enough of that back and forth movement when he was in utero

and now

eddie now he just craves it that to and fro up and down back and forth that swing set of schtupp

and she smiles a broader smile and a light from behind the bar vectoring off the mirror beams in on the silver tooth not the middle one not one of the ones that always goes first when as a kid but the one next to it on the right bounces off that tooth leaving a gleaming trail like it was the silver surfer shredding forth from florida across the breaking backlit sunlit froth and hits eddie smack in the eye nearly knocks him off his perch eddie he all giggle giddy inside he says to himself eddie he says

hey ma i’ve finally met that knockout you always told me I’d meet

eddie he grins man his mom she sure would be happy but miz knockout mistakes his heart-exploding reaction with

a sick sense of humor it’s a hallmark re-enactment of that old joke about the two lonely people at the dance one with a fake eye one with a fucked up mouth old freddy fake-eye he asks the ugly chick to dance and she exclaims

oh would i oh would i

and he gets all embarrassed misunderstands and yells back

well you hairlip you hairlip

and she miz sparkly silver grin she doesn’t see the humor doesn’t see it that way looks down and with that sort of fake cough covers her mouth does the barstool spin

and

she’s out of eddie’s life forever

and

eddie he feels he should chase her explain his feelings beg forgiveness do the knee-drop in front of a cast of thousands spread his arms wide call her stella scream her name to the streetlights but he doesn’t this ain’t television this ain't the stage and anyway what if he what if eddie had read the scene all wrong it could be very embarrassing not to mention the wear and tear on his suit trousers

alas love is so fleeting

and eddie he is on to new things

it’s not like he cracked some insensitive joke about silver teeth and althiemers or silver teeth and judas or something jesus jesus jesus eddie he starts to look heavenward praying for the big guy to save his sinful soul from these sinful thoughts but

whoa whoa whoa look out johnny look out

to his right

just over his shoulder

is the-one-the-only-miss-welcome-back-to-the-eighties-cindy-lauper-look-alike hello love is in the air love is in the hair and yeah it’s the hair it’s got to be the hair that gets to eddie it’s too just too you know a little too orange but also too red with streaks of yellow it’s just too too too you know and the makeup a little too much a bit of mascara dripping down her cheek and the lipstick too dark too red and the hair tequila sunrise and the dress too tight too short and the stockings too black with a little run on the inside thigh pale pale pale

oh that milky white

and

eddie he says in his most nonchalant manner in his most mannerly manner with a charm that worries his conscience but not quite his psyche eddie he says

hi can i just say that you in all your glorious sunrise splendor are making the neighborhood a better place to live

and without skipping a beat without a pause not even for dramatic effect he eddie he says

i would like to buy us a round of drinks in honor of this just-discovered truth

and

she she looks at him at eddie really looks at him she says eyes bright she says

what do you suggest what sort of drink would you recommend to toast this auspicious occasion what would you have grace my lips

and

for eddie well this question it requires no thought no consideration no sherlockian mulling he knows he really knows what to say and he says it he says

tequila sunrise of course

to match your hair

and

she smiles that cutesy little smile that oh you kind of smile and toute de suite she says

oh too sweet n’est-ce pas makes my lips pucker and i don’t like them to pucker til i’m all good and ready to pucker

so how about a real drink whiskey maybe a manhattan very dry very very dry two cherries dangling

and

eddie he waves he beckons with a seasoned confidence and a hurried yo yo gotta gotta go barkeep attitude

my man we could use no let me say we need two manhattans

s’il vous plait

and

eddie

he signs the tab to his room ah no worries the money’s here and there’s always more what does he care he’s going to call her client and he says leaning over slightly don’t know if it’s the altitude or the attitude eddie he says

so i’m eddie

and

she says lifting her glass by the stem in one hand placing the tiny cocktail straw between her ruby reds with the other taking a timid little draw she says

nice cufflinks kind of cool

and

eddie he says tipping his glass her way he says glancing down at his wrists and shrugging he says

thanks

and

she says

no really

and

eddie he says

well thanks

and

she says

i’m hallie used to be hallie silverstein but now i’m thinking of hallie-go-heavy in honor of miz hepburn and mister capote bless their souls what do you think

and eddie nods his approval with another lift of the glass and suggests maybe even emphasizes with a studied glance and a nod he says

well may i say that there is absolutely nothing heavy about you from where i sit

you

my lovely curvy stick of sugarcane right of the stocking on christmas morning

you are just as lovely and pert and sexy and sultry and titillating and teasing

yes teasing

as miz hepburn herself

or hell

anyone else i have ever met

but

and eddie he pauses and then he says

i can see that the new name most certainly applies in that metaphysical sense  that wrap yourself around the goddess that is wrapped around you sort of way

and hallie she smiles she looks away then she looks back and and she smiles and she says looking down only briefly to stir her drink she smiles at him and says

thanks

and they sip their drinks and they talk flirty bar talk and they finish their drinks and they talk life talk that where one comes from where one goes where one belongs sort of chat that bonding across common data points who what where one likes they manage to avoid television music food restaurants touristy destinations both classic and new age that basic shit two bored people fall back upon like falling forward onto a sword

conversational hari kari

no they talk good shit they make each other laugh they order another drink and another

she touches his arm when making a point he touches her thigh right where the slit in the stocking stretches and splits showing skin he reaches up and touches her hair a curl of her hair moving it out of her face

where it had drunkenly fallen down across the bridge of her cute little nose more o’grady than silverstein

and then that’s when eddie knows

that’s he’s got to know he’s got to find out

is it the same sunrise down there where the sun rises is it red blonde brown or darker does the flower bloom even if only along a narrow brazilian garden path

and eddie

our guy

eddie he excuses himself for a moment for another trip back across the lobby to find that portal that porcelain bowl of relief he asks with a touch of the hand on her wrist

her tattooed wrist

the image of an old timex the one that that can take a licking and keep on ticking inked around permanently attached worn brown leather wristband tarnished gold plated case cracked face

eddie

he says

hey will you wait i’d really appreciate it if you waited

and she says slurring maybe just a bit that cute little drunken slur that only a beautiful woman can get away with she says

baby i’m all snow white on this barstool i ain’t leaving til you come back give me a little kiss

and eddie he stumbles backwards spins and turns heads back across the lobby he slides into the restroom he walks up to the urinal in that been practicing for years been doing this all his life gives it the unzip as he walks across the restroom reaches in pulls out his flaccid yet getting interested meat leans over and spits as he steps up to begin relieving himself

the sudden initial burst striking the porcelain at such an angle at such a velocity that it hums like a tuning fork

maybe a b flat

the vigor of his stream then slowing the flow subsiding til the hum fades to a silence broken only by the drumming drops of the wiggle wiggle shake shake the weight of his schlong sending heavy spatters against the plastic holding the blue toilet disk

spprrrts spprrrts spprrrts

til there is nothing left but relief and satisfaction

and he stuffs his cock back into his pants does a little wiggle zips up and reaches over to flush

when he hears

coming in over his shoulder

like maybe it’s god himself

a sort of a low not barry white low but white man clark kent low voice from behind it says

hey don’t flush that

and eddie he says he looks over his shoulder his hand still on the plunger a cop slowly turning around to face the drug dealer that had snuck up behind him his hand on his weapon not letting go and he says

say what

and this guy who spoketh as if from above this guy he stands behind eddie and eddie can’t help but think

oh my god i can’t even smell the fucking blue disk in the urinal this guy he smells like the full run of the gauntlet that cuts through the first floor of bloomingdales all rolled into one tall plug in dispenser that got hit by a short in the wiring and shot its entire smelly wad into the world through some wild tree climbing monkey orgasm

and this guy mister otherwise pretty fucking normal princeton haircut blue button down brooks brothers same place he found his khakis bright blue eyes and sardonic grin this guy he says

yeah i know it’s just sort of well yeah i know how it might sound how it might seem to be a rather odd request but well you know it’s just sort of my thing a sort of kink you might say will probably say but hey do a fella a favor

i just want to piss on top of your piss i just want to well let my urine flow atop of another’s and hey you just happen to be here you just happen to be that other come on what do you say

do a fella a favor

and eddie he sort of shrugs he steps to the side he presents a drunken yet grand sweeping open palm to mister normal shaking his head and inviting him to be his guest while he scoots out of the way to give the same hand and its partner a quick rinse a fast wash while looking over his shoulder to see other shoulders shimmy softly to hear a slight whimper and moan bounce off the tiles

he turns off the water he shakes his hands into the sink wipes them on his face then on the back of his trousers on his way out the restroom

a quick getaway

back to his new found love away from his new found confusion where sweet and sugary hallie she waits he climbs back onto his perch begins anew his seduction

his adventure

his indiana jones expedition to the nether regions below the navel beneath the cotton

because he must know because he has to know

and as he eddie as he leans over to whisper into her ear to suggest some slutty sinning he

eddie

he sees mister normal walk in and take the seat on the other side of hallie beckon to the bartender and order a

tequila sunrise

his tell tale aroma reaching their respective schnozzolas about the same time as the request for libation and she

hallie

she

as if the aroma is only too familiar

she turns just as eddie is about to whisper sweet nothings leaving eddie to suggest sin to spirits and air she turns only to look and say

oh it’s you

turning back to eddie she says

don’t mind him

and eddie he looks past hallie to him who gives a twinkle and a grin and a nod of the chin and eddie he looks to hallie he says

whoa may be tough not to mind he kind of staked out this little disturbing spot in my head just now gonna be hard to shake might take a few drinks seems as if this guy he’s quite the little deviant

and hallie she frowns that drunken pouty little frown that only a beautiful woman can get away with she says turning around to the deviant she says

oh jesus joey you pulling that piss on piss thing again that is getting so old don’t you know i’m really quite tired of it some fucking bruiser is going to kick your ass some day

and joey our mister deviant he himself frowns as well and says

oh little sister don’t you worry none you know i only ask the ones who i know will let me

and joey he turns to his day glo drink leans over and takes a sip through a tiny straw his cheeks squeeze in as he withdraws straw between tight lips a cherry suctioned to the end

and all that






Wednesday, November 21, 2012

sly meets wayback



i want to
thank you
for letting me
be myself

again

hey hey hey
jimmy
jimmy
jimmy
sitting in the backseat of billy’s sixty six chevy impala ess ess three ninety six he’s thinking to himself he’s almost mouthing the thoughts in time with the song he’s thinking

i'm digging
we’re digging
on sly and the family

stone

and it’s dark
dark

dark thirty deep into the night

jimmy he’s riding in the backseat of cousin billy’s hot rod

that hot rod it goes vroom vroom it goes rumble rumble grind grind it goes flying down some south georgia road

dark

dark dark

jimmy he is pushed back almost like the weight of his asthma upon his chest when it visits him in his dreams in his sleep pushed back into the snug black vinyl summer soft sticking to him wrapping around him humming doing the jiggle jiggle fat auntie squeeze and shake the windows down wind blowing in with that cool but warm moist air both slapping and soothing all at the same time tick tock tipping tripping tree shadows flying by wispy clouds swirling above a hazy gauze wrapped around the full moon

and there’s that something in the air that sort of creeps up into the nostrils hits a person way up in the back of the sinuses causes a person to wonder if to consider the possibility that he is rotting from the inside out

that night time out in the country earthiness a dankness a brew of life and death and that funky shit in between and hell maybe it ain’t even so much the stink really

worse

it’s more the floaty green mist that burns at the bottom edges of his eyes

that mist that sometimes just sort of drifts up and out of from some of the low lying water ditch water swamp water cypress water still ponds full of cow shit horse shit pig shit dog shit cat shit snake shit frog shit goddamn alligator shit and piss and stench that garbagesque grassy grappa from the muck

that is shaken not stirred

with a spoiled egg sulfurous sluff snaking its way over from the paper mill next county over

yeah that mist might sting just a little just a bit

hey
hey jimmy it’s just a little burn just a mild sizzle

jimmy
jimmy
jimmy he’s in the back seat he’s thirteen billy he's seventeen

jimmy
jimmy
jimmy he do idolize cousin billy

jimmy
jimmy
jimmy his cousin billy he be a hero his fucking hero jimmy’s hero his monkey see monkey do summer of nineteen seventy one south georgia cuthbert georgia outskirts thereof middle of fucking nowhere screaming down the road tar and gravel grabbing those bigass tires jimmy he is the rubber being left behind on the rough rough roughness

dance
to the music
all night long

they jimmy and billy and steve they are out for the evening they’re out for the night the night it has no boundaries there are no walls they are invisible to the world to the universe comfortably ensconced within the confines of their space ship lounge they can go anywhere as long as they’re back by morning they can be anywhere in the world southwest georgia up and down and amidst around keep the tank full keep it full enough keep this bitch rightside up and between the ditches

follow

that double yellow line double yellow line up and over and around the bend slicing up the country side splitting tree from tree slicing the cord splicing the chord ain’t gonna die bored ain’t never drove a ford

once they get into the car once they hit the road no telling where they might end up might be over down by the lake might be up further by fort gaines on the river might be deep down in the boonies southeast of cuthbert a fucking no man’s land a land of no return a lost forest a hidden valley of muck and mire loathsome lascivious evil and possible interspecies breeding

an evil

upon which even the moon would not bathe in her vile light

miles and miles of slash pine and loblolly pine and cypress and sweetgum and old old basket oak all giving off a seemingly surprised and frightened vibe alarmed desperately fighting slapping like a man would slap should he wake up in the midst of a fire ant bed where he’d fallen drunk passed out in the middle of the night alarmed slapping off swarms of kudzu some succumbing suffocating beneath the brutish crawlers their suckers stabbing deep drawing pulling long and hard from the endless pools of cellulous lifejuices

they

such a vampiritic undead
part plant
part ravenous rant
needing to be fed

and

for the folk of this dell there is no god there is no jesus walking across the water these fools they fear no fire nor brimstone upon which they would not hesitate to spit though their greedy fingers may be burned upon his sacred rustling robe they will not bow down they will not go gently anywhere

and

way out there in a land known only as wayback and smack dab in the middle of wayback there is this bar this little hootchie cootchie club this little juke joint set off just a bit from this deep running creek and sitting beneath a big old cypress sprung up back before the injun days back before kolomoki

and

inside the wayback joint nestled up against the bar that was no more than a long piece of plywood perched up on two metal drums and covered with formica tiles are the ugliest one-eyed two-eyed long greasy haired finger-missing semi-toothed scarred and mauled battered and bruised ben davis wearing goat fucking human beings both male and female and otherwise that jimmy had ever seen across his entire thirteen years

and

billy and steve dragging jimmy along they walk in to get beer they don’t seem to mind they don’t seem too bothered by the semi-toothed they just want go in grab some beer share some snarls shift some shoulders slide some attitude twelve busch beers ice cold caught up in a paper bag they leave money on the formica they leave through the sort of door they had come in

get back in the car slide back onto the road tires slipping sliding cherry bomb bursting

bill and steve they just want  to cruise down there and amongst them spinning wheels spinning feels fucking with the jacks looking for jills

they just have a hankerin’ to just be fucking with them

a dangerous game

sort of maybe

sometimes well it seems that it just has to be played like that like there is nothing else nothing else at all cuz it’s all hey they are there billy and steve are here billy and steve they gotta go fuck with them wayback boys that’s the way it’s always been that’s the way it is that’s the way it will be it’s simply some dumb redneck interbreeding tribal reality

they’re only following the rules

so yeah

hell billy and steve and jimmy

they’re cruising

they just drive on down the road they don’t know where they’re going they got beer they got dope they could end up anywhere as long as they’re back by morning to open the store

thou shalt not fuck with the hallowed halls of commerce thou shalt not fuck with uncle rick’s corner grocery

so yeah

they’re cruising

cousin billy he throws a bag to steve  he says glancing sideways to make sure the dumbfuck had caught the bag that he hadn’t let it fly out the window he’d done it before steve he’d done it before he’d lost a bag out the window jimmy’s cousin billy he’d stopped the car in the black fucking darkness of the night backed her up a ways maybe twenty five fifty yards made steve get out and crawl around on his hands and knees until he found the goddamn bag

so jimmy’s cousin billy he throws a bag to steve he says

roll one

jimmy
jimmy
jimmy his summer of introduction his summer that kicks it all off his own little personal summer of love summer of nineteen seventy one thirteen years old

jimmy
jimmy
jimmy where's his momma

jimmy he’s riding through the backwoods of south georgia with cousin billy and billy’s asshole friend steve

where's his momma

don't know don't know don't fucking know all he knows all jimmy knows all he knows is that right now right this very moment he feels good yeah he feels lost and he feels bad but he feels it all frothing to and fro he feels love he feels hatred he feels sick to his stomach might have been the beer he’s sitting back head leaning back looking down over across his nose he can see the big glowing green speedometer they’re riding along soaring along

now it’s ninety
now it’s a hundred and five

billy low riding it two hands on the wheel head back steve’s leaned over billy won't let him roll up the windows billy tells steve he says

i’ll kick your fucking ass if you lose any weed in the wind

steve he leans over the bag between his legs on the floorboard trying to clean out the seeds and stems shit it's fucking nineteen seventy one shitty mexican brown weed

all seeds and stem

goddamn

sly and the family stone in the eight track

jimmy he’s digging sly stone and the family

and steve he finally sits up with a big old joint clenched in his teeth like clint fucking eastwood chawing his cheroot he looks at billy for approval but billy he just glances over at him then brings his gaze back forward steve he leans back down flicks clicks shakes the zippo clicks flicks steve he lights the bone on the third fourth try

up and down the city road
in and out the eagle
that’s the way the money goes
pop goes the weasel

as he sits up

a seed pops and its fire arcs over his gut onto his cheap hippie indian cotton gauze shirt that he bought beginning of summer up in atlanta down in the underground in some sleazy stand selling tee-shirts and black light posters just a few doors down from where lester maddox sold his ax handles

and

this shirt it puffs up into a mini mellow yellow and blue mushroom cloud of flame and smoke and he steve he yells slaps at his stomach smoke a’risin’ set this house a’fire burnt cotton and hair stench drifts into the backseat

billy he says shaking his shaggy head he mutters he says

you fucking idiot

and

steve he looks down at his exposed belly he shrugs he passes the joint to billy takes a breath passes the joint to billy re-establishes process re-applies structure adheres to ritual there is order in passing of the joint in the car

one of the first lessons of the summer for jimmy joint passing one oh one doobie goes counter clockwise from passenger to driver over driver's right shoulder to back seat across back seat back up to passenger can't go clockwise that ain’t safe

it ain't safe

to pass the joint to the driver from the backseat even a stoner has rules of some sort or another

even a stoner has rules

sly stone on the eight track

sometimes i'm right and i can be wrong
my own beliefs are in my song

sly stone on the eight track

roll another one just like the other one cocksucking mexican brown jimmy he don't know if he’s stoned or tired he’s thirteen what the fuck do he know he’s just trying to be cool because billy he's cool jimmy don’t you know he thinks billy is cool what the fuck why not he’s the baddest man in the woods

earlier in the summer earlier in the summer billy he hands jimmy a joint he says hey hey hey when jimmy when he hesitates billy he says

hey hey have i ever done anything that would do you wrong

and

to jimmy them's powerful words that he swallows that jimmy he swallows that he drinks

so he just fucking takes the joint in nineteen seventy one that shit so forbidden so exotic down in south georgia he might as well have been fucking a nigger girl bringing her home introducing her to his momma

where's his momma where's jimmy’s momma

it ain't safe to pass a joint to the driver from the backseat billy he passes it back over his shoulder to jimmy and jimmy he takes a long hot gravelly hit he rolls his head looks out the window notices a couple of old white clapboard houses set off back behind a couple of big oaks they begin to slow down

then

pretty quickly

they pull into leary little dipshit town it’s got a square it’s got a feed and seed store it’s got a drug store it ain’t got no piggly wiggly on the outskirts it barely got a texaco station the sign it’s leaning over into the parking lot the result of a tornado blowing through last summer they ain’t never got it fixed

jimmy he can't tell the difference between

cuthbert and leary

the only thing he knows the only thing jimmy can tell the only thing he knows is that billy he tells jimmy that the cool people live in cuthbert the rednecks live in leary

that’s the way it is that’s the way it will be

so jimmy he’s good with that there needs to be a them to his us

cuthbert the county seat they be cool they be the center of the uni-fucking-verse billy’s momma jimmy’s aunt betty she even talks about them smart folks that just up and leave atlanta migrate down to the good life in cuthbert they got everything anyone might ever need up in cuthbert and if it ain’t there well hell they got it just over the hill in albany or just up the river in columbus

but they billy and steve and jimmy they ain’t going to albany tonight they ain’t going to columbus tonight they headed a little bit southeast they might be headed over down around leary

they take a roundabout way there they don’t go directly there they head south down through edison on down through arlington and then back around and up to leary they need time to open her up they need time to smoke some joints they need time

in the middle of a night when all they got is time when time is all they got

time and attitude and

they

billy and steve and jimmy

even then they still need time even though it burns their greedy little fingers

and

they hit leary they cross that mysterious line where not-leary ends and leary begins they enter the incorporated city of leary georgia population more than they got fingers and toes but less than the stray cats and dogs that wander the paths and nooks and crannies of said sleepy hollow

and

they cruise leary

sly on the eight track windows down street lights glowing bright on the street the main street the only street they drive around the square sly he sings alongside the big bass of the impala four barrel pouring through those cherry bombs a couple of parked cars some kids out leaning back up against the cars a couple of cute halter top wearing girls sitting up on the hoods they exchange glances with billy steve jimmy they exchange glances looking up looking down in a studied yet not giving a flying fuck manner

they hang a right off the square

sly he croons

i am no better
and neither are you
we're all the same
whatever we do

they billy and steve and jimmy they do leary they hang a right off the square they take a couple of turns the road it ain’t so well put together the houses they ain’t so well put together they billy and steve and jimmy they’re cruising nigger town

even the smell changes as they dip down off the high ground down into the lower side of town the downwind side of town where even this downwind breeze stops blowing causing the stink to simply settle

and

the images they like dissolve from almost full color even in the dark all three dimensional all lit up from below up on the high road above to a more faded sepia photograph found in grandma’s old books but these houses not in the picture these faded houses in real life downtown leary nigger town they got dust covered cadillacs and buicks parked in front some new most old and in various degree of decrepitude

steve he  throws his mostly empty beer can out the window hits one of these cars parked on the shoulder

the beer can it hits with a splat it hits with a dull thud and a splat and a bounce and a rinse repeat dull thud splat

the impala almost on idle the south georgia cracker rod moving along so slowly the cam spinning so slowly jimmy he feels like he’s on some boat drifting across the morning gulf swells then billy he in a mood in one of his got a burr up his ass needs to let the world know that his ass it itches it burns billy he kind of suddenly shoves it into neutral revs the engine slams it down into low gear ratchet shifter beneath the palm of his right hand slams it down into low gear during the peak of the rev leaves a patch of rubber squeals barks steve throws another beer can out the window this one had a lot of beer left you can tell by the thud as it hits another car

them boys they hear a yell some bodiless voice of midnight anger august rage

hey you white cracker motherfucker

billy bug eyes his head cocks like some hound dog that just heard something ain’t nobody else heard big ess ess three ninety six spins donuts in the middle of the road dust and gravel spraying the other cars jimmy he’s thrown around the backseat they billy and steve and jimmy they're screaming back up the road toward the voice jimmy can see two black boys older than him younger than billy they’re running off down the road the cuthbert boys catching up to them the leary black boys they're on the road they're running headlights on their back

they're running

one looks over his shoulder

they're running

jimmy can see his eyes they are white wide in the light the leary black boys run past the line of parked cars where niggertown begins to end the leary black boys they they move to the shoulder billy slides the ess ess onto the shoulder billy is driving on the shoulder now dust spraying behind out from under the big wide whitewalled raised letter sixties they the cuthbert boys they’re spinning a bit fishtailing a little in the clay the hard clay shoulder steve is yelling he says

run the motherfucker over

jimmy he’s yelling at billy he says

goddamn billy you’re going to hit them

jimmy he’s screaming for billy to stop billy he can't hear jimmy and jimmy he’s yelling jimmy he’s crying steve is yelling to run the niggers over they the leary black boys they dive off into the ditch

a swampwater ditch

they jimmy and billy and steve they hear the splash they hear the cussing coming rising up from the ditch billy slams on the brakes the two leary black boys are climbing out of the ditch eyes go wide

as steve shows slides the long barrel of a pellet gun up so it can be seen through the window

the two leary black boys duck back down

there is another splash a shit fuck goddamn muffled holler

billy slams the gas the ess ess she squeals off peels off

they jimmy and billy and steve they’re back to the square on the main street in a couple of minutes and after a couple of slip and slides around the leary street corners leaving a little bit of cuthbert rubber on leary streets might as well take a shit on the mayor’s front porch they’re out of leary back on the road to cuthbert sly still on the eight track

you love me
you hate me
you know me and then
you can't figure out
the bag i'm in

jimmy he’s crying quietly little sobs quick little gasps trying to catch his breath a couple of tears streaking down his cheek billy doesn't see jimmy he doesn't hear him billy he doesn't really care he and steve are laughing it's dark jimmy he’s crying jimmy he’s scared

fuck fuck fuck

eighty
eighty five
ninety
ninety five
hundred
hundred and five

i am everyday people

they are singing

steve and billy they are singing with sly stone

there is a long hair that doesn't like the short hair for being such a rich one that will not help the poor one different strokes for different folks and so on and so on and scooby doobie doobie do

jimmy he ain’t singing

fuck fuck fuck

sitting in the back seat of billy’s chevy impala es es three ninety six billy is seventeen jimmy he’s thirteen it’s nineteen and seventy-one

fuck fuck fuck so very sly nigger town everyday people and all that